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The Ideal City (painting)
''The Ideal City'' is a 15th-century painting usually attributed to the architect and artist Fra Carnavale. ''The Ideal City'' is one of three related paintings, the others are in Urbino (''Ideal City'') and Germany (''Urban Perspective''). The painting was most likely executed for the Ducal Palace, Urbino of Federico da Montefeltro, duke of Urbino. There is no indisputable evidence for this, but Carnevale was one of three architects used for renovations to the palace. Furthermore, in an inventory of the palace completed in 1599 there is mention of a "long rectangular painting depicting an antique but beautiful perspective from the hand of Carnavale".〔(M.S and Spicer, J.A, Masterpieces of Italian Painting, The Trustees of the Walters Art Gallery, 2005, pp.62-67 )〕 The panels might have been ''spalliere'', forming part of a decorative scheme set into the wainscoting or furnishings, a style common in Italy in the late 15th century.〔(E.M., Fifty Old Master Paintings from the Walters Art Gallery, The Trustees of the Walters Art Gallery, 1988, p. 42 )〕
However, the painting is attributed by others to Francesco di Giorgio Martini, partly due to the latter's greater significance at the Urbino court and because the painting refers to architectural themes he refers to, derived from Leon Battista Alberti's slightly earlier published treatise, in his own architectural treatise.〔Christoph Luitpold Frommel, ''The Architecture of the Italian Renaissance'', London, Thames and Hudson, 2007, p.59〕
==Composition==
The painting consists of a city landscape, glowing in the morning light, nearly empty of human activity. There are five structures that define the space. At the center is a Roman triumphal arch, reminiscent of the Arch of Constantine in Rome, whose prominent position speaks to the importance of military leadership. Federico was a leading military commander of his day, but the place on the arch for dedication has been left blank. The amphitheater, is modeled after the Colosseum in Rome, and could represent the importance of providing entertainment for the well-being of the people. The octagonal building is the only structure not specifically Roman, being modeled after the Baptistery in Florence. However, there is an argument that the original structure incorporated a Roman temple. These ancient structures are joined by two modern buildings of the time. The one on the left is modeled after mid-15th century Florentine palaces of the Medici family, it is representative of a residence appropriate to the ruling class. The building to the right with the arches and cloth covered screens is also thought to be a residence. Visible in the background are other 15th-century buildings, including a warehouse. In the foreground, there are four allegorical sculptures, each representing the personification of virtue; Justice with her scales, Moderation with a pitcher of water to mix with wine, Liberality with a cornucopia, and Courage with a column. The fountain at the center, featuring a bronzed winged Sprite, represents a functional source of water. Providing patrons with good water was a sign of magnanimity.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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